Healing Sounds

Even if one has developed to a high degree, the ability of telepathy, sound is still utilized.  Because it is a powerful energy that is much more than pure thought.  It is a physical frequency–a third dimensional energy.     Remember,  in your development with sound, that the carrier of the consciousness, of the thoughts you send, will still be sound.  It is an easier and more efficient means of communication–at least here on the third dimension.

Someday, in the not too distant future, we will learn to communicate with others through a harmonic language.  It will be a language of tone and melody, without words.  This once was.  Then as the bible literally illustrates, languages developed and all forms of havoc were created.  Global communication ceased.   Language became used for communication and music became music.  The musical language that once was disappeared.

Do you recall the movie “Close Encounters of the Third Kind”?  Do you recall how the extraterrestials communicated in that movie?  They did it through a tonal language.  As the entity Shadonai (channeled through Karen Anderson) once shared with me, these beings were searching the universe for another species with which they could communicate.  They were looking for another world which had developed its own melodic language  When they played their melody to us, we were wise enough to mimic what they said using sophisticated computers and the like.  But we did not have our own tonal language with which to truly communicate.  This gave those in the Mothership the awareness of our level of development.  And ultimately, they left, searching again for a species that could communicate on their level.  What was this level?  A tonal language.

This tonal language existed eons ago, and it will exist again.   It will utilize the energy of harmonics and it’s users will work with the understanding of Vocalization + Visualization = Manifestation.  The cutting edge of humankind is already beginning to realize the possibilities inherent in this and to experiment with this.  Why not?  The dolphins and other beings are assisting us on many levels in order to achieve this.  It is a much purer form of communication than we have and when it is done successfully, it must come from both the heart and the mind.  Not just the heart.  Not just the mind.  But a balance between the two.  And such radiant energy it is.

In the meanwhile, remember the importance of intention and visualization in whatever sounds you create.  And remember, to always sound with the energy of love.  This is something that the dolphins always do.  You would do well to follow their example.

Image by jasoneppink via Flickr

The harmonics, which I am found of using and sharing, are an aspect of sound which bridges the different dimensions.  I believe that these vocal harmonics also represent the new mantras of the 2lst Century and that these sounds will be a form of non-verbal communication we are in the process of receiving.  In the very near future, I will discuss with you this work with harmonics.  Be aware that sound is a very gross energy.  It is a very slow moving energy.  And it is a very physical energy.  It has the ability to rearrange molecules and actually change 3rd dimensional matter.  That is a great power.

Most commonly,  for  an audible sound to exist, it must take on third dimensional aspects.  In order for an audible sound, particularly a self-created sound, to occur, there must be certain physical plane counterparts.  A breath must be taken and then sent out, the larynx must be set in motion, the tongue and other vocal apparatus must create specific forms in order for specific sounds to occur.  It is all very mundane and 3-D.  And it, of course, is miraculous.   For this 3-D quality is what allows sound to have so much power.  It is what has the power to shake the walls of Jericho.  It is an actual physical resonance that occurs.

Image via Wikipedia

“FREQUENCY + INTENT = HEALING”.   Frequency of course, is the actual sound used.  Healing was a term used to describe the process of putting something into its healthy resonance.  Today I use the term “Frequency Shifting”.   Intent, in this formula, is the important ingredient.  Intent is the energy  behind the sound.  It is the consciousness that is encoded into the sound.  Intent is very important.

I began to realize that it might be possible for two people to make the same sound and have a very different response, depending upon the energy that was put into the sound.   Have you ever had someone you were not particularly fond of see you at a party and say in a snake-like tone “Good to see you” and felt as though you immediately wanted to leave the party.  While the words (or the frequency) may have been one thing, the intention (or energy behind the words) said quite another.  And the effect was not one of welcoming, but rather something very different.  This is an illustration of how intentionality affects the outcome of the sound.

I found that even specific mantras would resonate different chakras, depending upon the intentionality of the person giving them.  The “Om” might resonate the heart chakra, or the belly chakra or the third eye–it all depended upon what  a spiritual master might be teaching to a person.  As I began to realize the importance of intention, I began to spend considerable time in my teachings stressing the important of this.  And at the time, it was necessary to do this.  However, I admit that I went a little overboard.  Initially I began by talking with scientists and medical doctors who were so interested in examining only the frequency of the sound that the idea of intention was a new (and somewhat ridiculous idea to them).  Nevertheless, I continued sharing the importance of intention in my workshops, lectures and writing.  And as usual, things got a little out of alignment.  People began to think “Well, it doesn’t matter what sound I make as long as my intention is there”.

On one level, this is true.  On another level, it is not.  The formula which I was given was “FREQUENCY + INTENT = HEALING”.   This formula was created for the 3rd Dimensional Earth plane as it is currently evolved in your time and space.  While it is true that in higher dimensionalities, Intent (and consciousness) does create all, very few beings on this planet have reached the level of development,  where the actual sound they create is unimportant and the intention is everything.

Now undoubtedly, there are spiritual masters on this planet who can belch or create any such sound and produce miraculous results.  However, a majority of you (while you may perceive you are spiritual masters, and you may be) have not reached the state of development where you can do this.    I illustrate this point by saying that if you wish to calm someone down with a sound and then you shout in their ear, the result will be that your shouting will undoubtedly produce severe reactions of agitation in the individuals.  Their heart beat, respiration and brain waves will all escalate and they will probably not enjoy your shouting in their ear, regardless of your intent.  So I say that until you can levitate or dematerialize or do any of a number of frequency shifting exercises that you will ultimately be able to do, we urge you to pay attention to the frequencies that you are using.  As well as the intentionality that you are putting into these frequencies.

The Sound of Light
by Jonathan Goldman

The relationship between sound and light has always been fascinating. Many believe there is a one to one relationship between them. Many believe there is not. Some believe sound and light are the same thing. Others believe they are very different. This current blog is dedicated to this subject. After this initial writing, I will contribute other thoughts along with you.

The relationship between light and sound is most intriguing because both are measured as frequencies in cycles per second. Sound is measured from the ten’s to the ten of thousand’s of cycles per second. Light manifests as billions of cycles per second. Therefore, one way of viewing the relationship between sound and light is to assume that light is speeded up sound, or conversely, that sound is slowed down light.

The ancient Hermetic Principle of “As Above, So Below” is often quoted in regard to the relationship between sound and light. Mathematically, if you speed up a sound’s frequency by doubling it forty times, you come up with a frequency that is within the parameters of light. Conversely, if you slow down light’s frequency forty times, you have a frequency within the parameters of sound. The frequency of 518.7 cycles per second, which creates a note somewhat near what we call a “C” for example, when speeded up in this manner, falls within the range of what we see as a green. Or, when slowed down, this greenish colored light that vibrates at approximately 570 billion cycles per second. becomes that note “C”–at least mathematically. Very dark red vibrates at a frequency of approximately 430 billion cycles per second, which when reduced by 40 octaves becomes 391.3 cycles per second., creating the note of “G”. The spectrum of violet goes from light violet at around 690 billion cycles per second (which equates to 627.8 cycles per second, creating a note somewhere around a Eb) to very dark violet at about 750 billion cycles per =second. (which when reduced 40 octaves manifests as 682.4 cycles per second, creating a note close to an F).

The question is, while the above information is mathematically correct, is it true? Is light sound and vice versa or is this relationship very different.

To my knowledge, no one has ever succeeded in turning a sound wave into a light color without the use of a computer or some other instrument which can easily effect the relationship between sound and light by having specific colors assigned to specific notes. This does not mean there is not a direct relationship between sound and light, but thus far, no one has figured out exactly what it is.

When I first became this journey into sound over 30 years ago, I also begin an examination of light and the relationship between the two. As I delved into the subject I found that many different people had expressed very different understandings about the relationship between light and sound. Within the last twenty years, the most common relationship found between musical notes and their colors matches the notes of one octave with the colors of the electromagnetic spectrum, starting with the note C. Red = C, orange = D, yellow = E, green = F, blue = G, indigo = A, and violet = B. This is a very different relationship than the octave doubling relationship discussed previously.

It may be that color and sound are two very different energy forms or it may be that there is a direct relationship of color to sound. But it may be that this relationship is much more complicated than simply taking a note and bringing it up 40 octaves to the bandwidth of light. It may be that as sound goes up the electromagnetic spectrum, that as it changes energy, the mathematics become more complicated and different than simple doubling. Many years ago, I met a visiting scientist at MIT who was working on the relationship of sound to color and had developed a formula 4 pages long on this subject. I don’t know whether this formula was correct, but it is another indication of the extraordinary possibilities inherent in relating color to sound.

Is there a direct one to one relationship between sound and light? Is it purely geometric (being based upon the doubling of one to another) or is there something else? Are sound and light similar but different energies that can synergistically work with each other-with any sound carrying any color and visa versa? Or does a specific sound have to be matched with a specific color in order for there to be an effect?

I know that many of you are using some relationship between sound and light in your healing work. I invite all who utilize some relationship between sound and light to contribute to this blog.